Depicted are humans and animals. The animals, which are executed in three styles: boldly filled-in silhouettes, infilled with shading and open line profiles without infilling, include giraffes, eland, elephant and various antelopes. Two of the animals, presumably elands, are executed in the streaky style whereby the body is infilled in streaked line patterns. These two animals are also depicted without their heads, a style, which has been found in other sites not only in Singida, but as M.D. Leakey (1983) reports, also in the Kondoa area. I have not been able to suggest what it could symbolize, but it is hoped that further investigation will shed some light on this rather puzzling style. The human figures can be described as being semi-naturalistic, for although the element of stylisation is still very strong, an attempt has been made to draw them clad with some attire, perhaps symbolizing camouflage as utilised by the Hadza when hunting, or some sort of ceremonial or initiational dress or garb.

Scarlet red and light ocherous red pigments were used with the later overlying the former. On the basis of literal interpretation of the visual evidence, hunting and dancing seem to be the activities represented. Overall the site is still in a good state of preservation. The highest painting is 2.35m from ground level. Despite a high surface concentration of quartz chips comparable to LSA artifacts, the site does not seem stratified with archaeological deposits. It may also be of interest to note that there seems to have been a deliberate preferance to paint on the whitish part of the panel as opposed to the other portions. The white seems to be associated with evaporated salts deposited on the rock panel by rainwater.